the
historiographical methods of writers -- past and present -- concerned with writing the lives of eminent
characters. That biographical
investigations depend on the collection and weighing of historical evidence is
hardly a contentious claim. And yet
life-writers rarely take the time to explain to the reader what selective
criteria govern their choice of what sort of data is significant and what is
not. The success of a biography is
usually measured by standards of literary or psychological coherence, but I do
not believe that we have paid sufficient attention to the manner in which
life-writers achieve this sense of coherence through tactical arrangement
(manipulation) of historical evidence. Essentially, then, my comments have less to
do with the details of any one life than with the methodology of writing
history. This is an outgrowth of one of my long-term Big
Projects, the one examining the way writers have approached the question of historical
evidence in early modern versions of the life of Socrates.
Today we are accustomed to consider
biography as a special branch of history; we are particularly interested by the
supply of facts discovered and the pattern of meaning into which they are arranged. However, life-writers have not always aligned
themselves so scrupulously with the standards of objectivity we have come to
assume (perhaps naively) as the basis for history and life-writing. Early-modern biographers often have a purpose
in their work quite separate from the life itself -- some sort of polemical
thrust that propels the writing in a specific direction of its own.
In the process of culling the historical data and presenting it as part of an argument designed to establish a particular interpretive viewpoint, early modern life-writers often force the evidence to serve their purposes. In so doing, they often commit logical fallacies, as well as several sorts of fallacious arguments peculiar to biography. Let me offer a few examples as an indication of the sort of fallacious argument I wish to uncover and define:
1)
Attribution by ostensible
appropriateness: Stories adhere to
figures about whom they seem to be appropriate. In the apocryphal biographical tradition, two such stories recur with
astonishing frequency. First, probably
because in the Apology Socrates mentioned the way Aristophanes' Clouds affected public opinion,
opponents of the stage recruited Socrates to support their cause, claiming that
he considered the stage a danger to society.
There is no teaching to this effect anywhere in the first-hand accounts of Plato and Xenophon, nor in the earliest layers of commentary,
yet it is a staple of the antitheatrical paper wars of the Puritans and later in the Restoration and 18th
century.
Another similar construction of
biographical tradition centers around Xanthippe. As it happens, Xenophon introduces the subject of
Xanthippe's legendary difficulty to foreground Socrates' legendary
patience. By shifting the emphasis of
the story, misogynistic historians conscripted Socrates to serve as an
authority in their struggle to establish female inferiority. Powerful expressions of hatred for women
emerged in medieval manuscripts; they comprised a large part of the aphoristic
tradition, as in the Dicts and Sayings of
the Ancient Philosophers, the first English book published by Caxton, and were distributed through early modern polemical writings on gender. There is in fact little or nothing in the
original sources from which this tradition could have emerged. The tacit argument seems to be that such opinions
would be likely in one married to a woman like Xanthippe, and that's enough.
2)
Denial by ostensible inappropriateness : Conversely, the validity of stories attached
to certain figures is questioned because of incongruence with what is known or
believed about the character. Thus,
Bentley, universally lauded as the
founder of historical criticism, examines the conduct of Xenophon as it is
portrayed in the so-called Epistles of Socrates, with the purpose of proving
the letters to be not genuine. Bentley mentions the well-known "fact" that Socrates had two wives, and adduces the epistolary conduct of Xenophon as evidence of the spurious nature of the text:
3.)
The portability of anecdote – in ancient biographies one frequently
encounters stories told interchangeably about different historical figures. Diogenes Laertius, in his Lives of the Philosophers, even
crossreferences many of these. I have
heard this phenonemon called "Joe Pye's Law" – I'd dearly love to
find a reference to this principle in the literature – which stipulates that any
good story told about a prominent historical character is transferable to any
other character of equal status. Thus,
some of the sayings of Diogenes show up under the heading of sayings of
Socrates, anecdotes about one libertine fit perfectly well when applied to
another libertine, stories told about Eleanor Roosevelt show up accruing to
Margaret Thatcher, jokes about stupid politicoes migrate from one prominent dummy to another.
4.)
The Argument from Ignorance
-- contending that a lack of evidence allows an otherwise unsupported contention
to stand because it has not been ruled out.
The eminent Italian historian Mario Montuori has written many articles and books about the trial of Socrates in which he argues that the
charges brought against him were justified.
Montuori has collected some interesting 18th-century texts that also
make a similar claim – but the main part of his argument relies on the absence
of evidence that would rule out his interpretation.
5.)
The Argument from Omission -- contending that the silence of
witnesses and earlier historians on a subject is significant in itself, as when
early modern historians denied that Socrates could not have been homosexual, since
if he had been his enemies would surely have used it against him. Obviously, this argument is combined with an
anachronistic, universalizing assumption that all cultures in all times shared the author's own disapprobation of homosexuality.
6.) The A Priori rule of thumb: Perhaps the most common biographical fallacy
occurs when the life-writer assumes (inherits, premises) the character of the
biographical subject, and then claims to be able to deduce whether a story or a
putative fact is likely. The biographer
dismisses data because it is apparently incongruent with what is known about
the subject. Biographers refuse to
consider certain stories (or other biographical data) on their own merits
because they do not fit the taken-for-granted image of the subject. This approach is analogous to the argument
once proffered to explain away the bawdy comedy in some of Shakespeare's plays
-- these scenes must have been written by somebody else, so the argument goes –
forsooth, the Bard's world-view was far too lofty for such mean stuff. Ultimately, this argument is a variation of
the fallacy known as Begging the Question (assuming as a premise that which one sets out to
prove). As I have suggested, this approach as a biographical fallacy could be called
the Argument from Ethos; Bentley apparently considers this as strong an
argument as any for concluding the Epistles of Socrates are spurious. By carefully comparing implicit and explicit
dates within the letters and chronology supplied by other sources, he
demonstrates the fraudulence of letters (false dating, internal contradictions,
etc). But the capstone of his argument
is the simple claim that the "Socrates" the Epistles present cannot
be reconciled with what we know of Socrates from other sources.
7.) The
fallacy of deductive selectivity – The problem is that one
can always discover evidence. No matter what position one wishes to confirm or to promulgate or to deny, evidence can be found -- not always reliable evidence, certainly, and not always persuasively or even coherently arranged. Students of life-writing have occasionally noted that it may be worthwhile to study what a biographer includes or excludes. Let's examine how this works in one interesting instance. Proponents of the doctrine of natural religion were interested in discovering examples among the ancients and among
contemporaries outside the reach of Christian revelation who would serve to
demonstrate the providential nature of reason. There is not sufficient space here to trace this argument in any detail,so it must suffice to point out that out of select passages in Plato and the frequent occurrence of the word "god" in the singular and the fact of his persecution emerged the image of Socrates as the proto-christian enemy of superstition, the shining figure Addison (among many others) calls "a Martyr for the Unity of the Godhead." The principle of selectivity is apparent in the fact that such readings choose to ignore those times Socrates referred to the gods in plural, when he recommended that individuals should respect the religion and rituals of their country, and when he reminded his disciple not to forget the cock owed to Aesculapius. And of course complementarily partial readings are easy enough to develop: nearly as many early modern writers -- largely those
with an investment in doctrine opposing natural religion -- simply dismiss
Socrates as no more than a superstitious pagan among superstitious pagans.
Curiously, a third position emerges from
time to time: the heathen wise-men who discovered for themselves the unity of
the godhead did not always proclaim it from the rooftops? Bossuet declares, "What passed even
among the Greeks, was a kind of preparation to the knowledge of the truth. Their philosophers were sensible, that the
world was ruled by a God very different from those, whom the vulgar adored, and
whom they worshipped themselves with the vulgar" [Universal History, 1681]. This double doctrine could be explained in several ways: it was part of
some kind of secret order, like the mysteries; the philosophers kept the
dangerous truths away from the general populace because they feared a breakdown
of the rule of law, and so they went about teaching indirectly and
individually; and finally, the truth was hidden because the philosophers were
hypocritical and cowardly, fearing to speak the truth which would bring about
their persecution and death. In
retrospect, of course, these arguments appear to be unfair. After one group of writers has constructed an
anachronistic interpretation on slim evidence – Socrates as proto-christian –
another group of writers has counterattacked also using the same slim
evidence to condemn the proto-christian Socrates for not saying enough about the sacred truths he had discovered.
8.)
The Bed of Procrustes: My comments
on this last approach will break no new ground – but I will say a few words
anyway. Readers will remember the giant host
who stretched short folks to fit his guest bed, and cut extraneous bits from
the long folks. Long after Theseus
pitched him over the cliff in the golden days, Procrustes lives on in those
interpretations based on selective stretching and cutting off bits of evidence,
all to conform to the writer's interpretive bias. John Gilbert Cooper's 1749 Life of Socrates presents a philosopher who
would bear the official seal of approval of the Archbishop of Canterbury (however, his
book attracted the defensive rage of Bishop Warburton, because it disagreed with the
mighty bishop's notion that neither the ancient Jews nor the ancient Greeks
had ideas about a future state of rewards and punishments).
Or look at early lives of Swift. Lord Orrery's biographical sketch is based on his theory that Swift's character was warped by frustrated ambition; Orrery manhandles the evidence to confirm his position. Patrick Delany soon answered some of the charges a few years later, though he did not entirely dismiss the charge that spleen drove Swift to mockery and misanthropy – this view, I would contend if there were time, ignore an abundance of evidence that moves in another way. Even the more sympathetic lives written by Deane Swift and Thomas Sheridan cannot completely break away from a priori biases. I could go on and list other biographies that begin with a position and coerce evidence to fit the plan– the Freudian accounts of Swift's excremental vision, Tim Mowl's life of William Beckford (grounded on the premise that Beckford was dishonest in every aspect of his life), I.F. Stone's well-intended but deeply flawed account of the trial of Socrates (based on the notion that Socrates was an enemy of free speech and democracy)... but I have to stop somewhere. These are all coherent accounts, sometimes featuring occasional brilliant insights, yet even when I agree with a biographer's conclusions, when these conclusions emerge out of a thicket of obfuscations, evasions, and denials, I am disturbed and disappointed. The biographers are bullying me: "Look at this! Look at this!" I hear them cry. "Pay no attention to that," they hasten to add.
Many of us don't respond too well to bullying. So then I tell myself perhaps it's time somebody sat down and anatomized these abuses of evidence.
This discussion springs from notes I compiled some time ago. I have yet to discover a useful guidebook to biographical and historical shortcuts and fallacies, and would welcome suggested readings. I have published on the use of Socrates in various early-modern arguments--see my articles, available on Academia.edu:
Or look at early lives of Swift. Lord Orrery's biographical sketch is based on his theory that Swift's character was warped by frustrated ambition; Orrery manhandles the evidence to confirm his position. Patrick Delany soon answered some of the charges a few years later, though he did not entirely dismiss the charge that spleen drove Swift to mockery and misanthropy – this view, I would contend if there were time, ignore an abundance of evidence that moves in another way. Even the more sympathetic lives written by Deane Swift and Thomas Sheridan cannot completely break away from a priori biases. I could go on and list other biographies that begin with a position and coerce evidence to fit the plan– the Freudian accounts of Swift's excremental vision, Tim Mowl's life of William Beckford (grounded on the premise that Beckford was dishonest in every aspect of his life), I.F. Stone's well-intended but deeply flawed account of the trial of Socrates (based on the notion that Socrates was an enemy of free speech and democracy)... but I have to stop somewhere. These are all coherent accounts, sometimes featuring occasional brilliant insights, yet even when I agree with a biographer's conclusions, when these conclusions emerge out of a thicket of obfuscations, evasions, and denials, I am disturbed and disappointed. The biographers are bullying me: "Look at this! Look at this!" I hear them cry. "Pay no attention to that," they hasten to add.
Many of us don't respond too well to bullying. So then I tell myself perhaps it's time somebody sat down and anatomized these abuses of evidence.
This discussion springs from notes I compiled some time ago. I have yet to discover a useful guidebook to biographical and historical shortcuts and fallacies, and would welcome suggested readings. I have published on the use of Socrates in various early-modern arguments--see my articles, available on Academia.edu:
- "Bringing Philosophy Down from the Heavens: Socrates and the New Science," Journal of the History of Ideas, 47 (1986): 299-308.
- "Bribing Aristophanes: The Uses of History and the Attack on the Theater in England," in Greg Clingham, ed., Sustaining Literature: Essays on Literature, History, and Culture 1500-1700, Commemorating the Life and Work of Simon Varey (Bucknell University Press, 2007.)
This comment has been removed by the author.
ReplyDeleteNicely done, Kevin. I think your Socrates example gets at the problems of distinguishing between fact and fiction in biographical reconstruction.
ReplyDeleteI wrestled with many of these historiographic issues in my own Cynicism book. I think the most important thing is to remember how differently "history" and "biography" operate in the extremely varied contexts a history of Socrates would entail. Think about biography as a form of mediation that can only be counteracted by other forms of mediation.
Here's my question: should we try to overcome mediation and anecdote and achieve our own synthesis, or trace and document the gradual accretion of meaning over time? Which would produce more insight? Or what kinds of insight would the synthetic produce, as opposed to a genealogical approach?
Keep at this, Kevin. I know this has been a long-term interest, but I'd encourage you to try to develop some exemplary readings of the phases of this reception, and the "misreadings" (or readings) that developed.
Very interesting, Kevin. You know what they say: if there's a book you want on your shelf but that book doesn't exist, that's the book you should write. A guidebook of the sort you describe would be very useful indeed, and I'm sure would find its way into classrooms, too.
ReplyDelete-Rivka Swenson